Waterhole
Waterhole shows how important having an abundance of water is, providing for the people and its land to create vitality and abundance.
This piece is has elements of people, travellers, honey ant sites, animal tracks and bush lands. the large blue circle is the water whole and the other circle is a new water whole which is slowing being created and filled.
The piece you're describing conveys the profound relationship between water, life, and the land. This piece is a deeply interconnected environment where water is the central life force, nourishing the people and the land.
Water as Vitality and Abundance: The waterhole is symbolic of life-giving resources, representing not just physical water but the very essence of vitality and abundance for the ecosystem. Water is often seen as a source of renewal and growth, essential for survival and prosperity. Its presence ensures the flourishing of life, from people to wildlife, and sustains the land itself.
People and Travelers: The mention of people and travellers in the artwork shows the importance of waterholes in the journeys of humans. Waterholes have historically been key points of connection, whether for Indigenous people or modern travellers, offering rest and sustenance along long and difficult journeys. This represents the idea that water is a lifeline that brings together various beings, fostering community and interaction.
Honey Ant Sites: Honey ants are part of Indigenous Australian culture, where they are considered an important resource and are found in particular sites that often connect to ancestral stories and traditional land use. The presence of honey ant sites suggests the artwork draws on deep cultural connections to the land, where waterholes are integral to not just survival, but to the preservation of culture, stories, and practices tied to the land.
Animal Tracks and Bush Lands: The animal tracks serve as a subtle reminder that the land is not just a space for human activity but is a living, breathing environment where all creatures are dependent on the same resource. The bushland represents the broader ecosystem, with all its flora and fauna intertwined in a delicate balance. Animal tracks emphasize the cyclical nature of life, where animals move between water sources, often acting as indicators of the health of the land.
The Waterholes – Old and New: The juxtaposition of the large blue waterhole with the smaller, emerging one highlights the theme of renewal and regeneration. The older waterhole may represent established abundance, while the newer one symbolizes the ongoing creation of new opportunities, growth, and potential. It reflects the idea that water is not only crucial for survival but also for fostering the future, with new sources of life slowly filling and expanding over time.
In summary, the artwork celebrates the essential role of water in sustaining life, both for the land and the people who inhabit it. It speaks to the interconnections between culture, nature, and the environment, with waterholes acting as central symbols of vitality, sustenance, and renewal. The various elements in the piece – people, animals, and the land – all revolve around these water sources, illustrating how water is the thread that binds everything together.
This Piece is an Original, there is only one and will not be repeated
500mm x 500mm including the frame.
Framed in Tasmanian Oak
Colours & timber frame may differ in person. This is not considered a fault.
Waterhole shows how important having an abundance of water is, providing for the people and its land to create vitality and abundance.
This piece is has elements of people, travellers, honey ant sites, animal tracks and bush lands. the large blue circle is the water whole and the other circle is a new water whole which is slowing being created and filled.
The piece you're describing conveys the profound relationship between water, life, and the land. This piece is a deeply interconnected environment where water is the central life force, nourishing the people and the land.
Water as Vitality and Abundance: The waterhole is symbolic of life-giving resources, representing not just physical water but the very essence of vitality and abundance for the ecosystem. Water is often seen as a source of renewal and growth, essential for survival and prosperity. Its presence ensures the flourishing of life, from people to wildlife, and sustains the land itself.
People and Travelers: The mention of people and travellers in the artwork shows the importance of waterholes in the journeys of humans. Waterholes have historically been key points of connection, whether for Indigenous people or modern travellers, offering rest and sustenance along long and difficult journeys. This represents the idea that water is a lifeline that brings together various beings, fostering community and interaction.
Honey Ant Sites: Honey ants are part of Indigenous Australian culture, where they are considered an important resource and are found in particular sites that often connect to ancestral stories and traditional land use. The presence of honey ant sites suggests the artwork draws on deep cultural connections to the land, where waterholes are integral to not just survival, but to the preservation of culture, stories, and practices tied to the land.
Animal Tracks and Bush Lands: The animal tracks serve as a subtle reminder that the land is not just a space for human activity but is a living, breathing environment where all creatures are dependent on the same resource. The bushland represents the broader ecosystem, with all its flora and fauna intertwined in a delicate balance. Animal tracks emphasize the cyclical nature of life, where animals move between water sources, often acting as indicators of the health of the land.
The Waterholes – Old and New: The juxtaposition of the large blue waterhole with the smaller, emerging one highlights the theme of renewal and regeneration. The older waterhole may represent established abundance, while the newer one symbolizes the ongoing creation of new opportunities, growth, and potential. It reflects the idea that water is not only crucial for survival but also for fostering the future, with new sources of life slowly filling and expanding over time.
In summary, the artwork celebrates the essential role of water in sustaining life, both for the land and the people who inhabit it. It speaks to the interconnections between culture, nature, and the environment, with waterholes acting as central symbols of vitality, sustenance, and renewal. The various elements in the piece – people, animals, and the land – all revolve around these water sources, illustrating how water is the thread that binds everything together.
This Piece is an Original, there is only one and will not be repeated
500mm x 500mm including the frame.
Framed in Tasmanian Oak
Colours & timber frame may differ in person. This is not considered a fault.
Waterhole shows how important having an abundance of water is, providing for the people and its land to create vitality and abundance.
This piece is has elements of people, travellers, honey ant sites, animal tracks and bush lands. the large blue circle is the water whole and the other circle is a new water whole which is slowing being created and filled.
The piece you're describing conveys the profound relationship between water, life, and the land. This piece is a deeply interconnected environment where water is the central life force, nourishing the people and the land.
Water as Vitality and Abundance: The waterhole is symbolic of life-giving resources, representing not just physical water but the very essence of vitality and abundance for the ecosystem. Water is often seen as a source of renewal and growth, essential for survival and prosperity. Its presence ensures the flourishing of life, from people to wildlife, and sustains the land itself.
People and Travelers: The mention of people and travellers in the artwork shows the importance of waterholes in the journeys of humans. Waterholes have historically been key points of connection, whether for Indigenous people or modern travellers, offering rest and sustenance along long and difficult journeys. This represents the idea that water is a lifeline that brings together various beings, fostering community and interaction.
Honey Ant Sites: Honey ants are part of Indigenous Australian culture, where they are considered an important resource and are found in particular sites that often connect to ancestral stories and traditional land use. The presence of honey ant sites suggests the artwork draws on deep cultural connections to the land, where waterholes are integral to not just survival, but to the preservation of culture, stories, and practices tied to the land.
Animal Tracks and Bush Lands: The animal tracks serve as a subtle reminder that the land is not just a space for human activity but is a living, breathing environment where all creatures are dependent on the same resource. The bushland represents the broader ecosystem, with all its flora and fauna intertwined in a delicate balance. Animal tracks emphasize the cyclical nature of life, where animals move between water sources, often acting as indicators of the health of the land.
The Waterholes – Old and New: The juxtaposition of the large blue waterhole with the smaller, emerging one highlights the theme of renewal and regeneration. The older waterhole may represent established abundance, while the newer one symbolizes the ongoing creation of new opportunities, growth, and potential. It reflects the idea that water is not only crucial for survival but also for fostering the future, with new sources of life slowly filling and expanding over time.
In summary, the artwork celebrates the essential role of water in sustaining life, both for the land and the people who inhabit it. It speaks to the interconnections between culture, nature, and the environment, with waterholes acting as central symbols of vitality, sustenance, and renewal. The various elements in the piece – people, animals, and the land – all revolve around these water sources, illustrating how water is the thread that binds everything together.
This Piece is an Original, there is only one and will not be repeated
500mm x 500mm including the frame.
Framed in Tasmanian Oak
Colours & timber frame may differ in person. This is not considered a fault.